Showing posts with label Ereignis. Show all posts
Showing posts with label Ereignis. Show all posts

Wednesday, September 5, 2012

Heidegger's Bremen Lectures and the Erroneous Path

I recently finished reading Andrew Mitchell's new translation of Heidegger's Bremen and Freiburg lectures of 1949 and 1957 respectively. Let me first say that the Bremen lectures in particular, from which the much better known "The Question Concerning Technology" takes its origin, are a breathtaking text both in terms of poetic beauty and powerful philosophical suggestions. I have no doubt that a portion of the text's surprising force comes from Mitchell's translation which has managed to capture the singing in Heidegger's at times oracular speech. Students of Heidegger's thought are clearly in Mitchell's debt for this much needed translation.


Wednesday, May 16, 2012

Heidegger Circle, Second Post: Still Troubling the Ontological Difference

Before I get down to business I would like to take a moment to thank Andrew Mitchell and Emory University for an exceptionally well organized and smoothly run conference, to say nothing of a very enjoyable and important meeting. In some posts to follow this one I intend to discuss what I saw as some of the most (historically?) important work presented at this year's meeting. Particularly a new archival discovery concerning Heidegger's claims about the "inner truth of National Socialism" offered by Julia Ireland and the panel discussion of/with Thomas Sheehan concerning his proposed paradigm shift in Heidegger interpretation.

Christopher Ruth "Dwelling and the Ontological Difference"


Monday, January 31, 2011

On the Ontic and Ontological

I was recently accused, in a very kind manner, of confusing the ontic and ontological levels of Heidegger's perspective when I relate Ereignis to the "opening up of a world" which Heidegger claims art can bring about in the Origin of the Work of Art. I tend to take the most extreme versions of what it would be for art to open a world to be cases in which an originary event in the form of art brings into existence entirely new disclosive practices. The counter claim was that what Heidegger discusses in the Origin of the Work of Art is ontic world change while Ereignis is ontological. This would ground the idea, which I disagree with, that speaking of "originary events" on the scale of Ereignis in the plural is a mistake.

How should we conceive of the ontic-ontological distinction? For those educated in a Kant dominated philosophical context the tendency is certainly to think of it in terms of the empirical-transcendental distinction. I feel, however, that we would be much closer to Heidegger's own thoughts on the issue if we focus instead upon Emil Lask's matter-form distinction. Recognizing the difference between these two models is useful because the Kantian distinction is absolute. Transcendental structures always remain transcendental, and according to most readings of Kant they are not open to change because of events on the empirical level. Lask's matter-form distinction, however, is not absolute. What is formal on one level counts as matter on another and so on. Furthermore, these distinctions are not epistemic but rather constitute distinct ontological levels of reality. When we add Lask's principle of the material determination of form to this theory Kant's priorities are reversed. Ontologically the material level determines the formal level, thus opening up the formal to historical change. Lask, for example, discusses the formal as arising from the "involvements" or "activities" of the material. We might consider, then, the ontic level to concern what something is and the ontological level to concern how something is i.e. what mode of Being grounds the particular entity in question. Lask's theory provides the inspiration for Heidegger's concept of formal indication which functions on both the ontological (used in a common sense) and methodological level. In other words, attention to the phenomenon-matter of interest indicates the formal-ontological level which makes its existence possible, while phenomenon-matter can also indicate/give-rise-to new formal structures.

As should be clear from what I have just suggested, despite its transcendental rhetoric I take Heidegger's Being and Time to be a step in Heidegger's life long project to think the ontological level in a way which opens it up to the possibility of historical change. This is a commitment, I believe, which Heidegger developed very early on under the influence of both Lask and Dilthey. This is also what is occurring in Heidegger's analysis of Ereignis and art's opening of a world. In each case we have the seemingly material-ontic, for example concrete historical art events, giving rise to the formal-ontological, for example basic practices which open up new modes of Being which allow for new types of entities. This is very much in line with Lask's principle of the material determination of form.

In following Lask, however, the categories of ontic and ontological will not be absolute and stable. Things will be ontic on one level and ontological on another, this is part of what it means for the ontological to be open to historical change. This also means that some things are "more" ontological than others. Certain practices will be more fundamental than others. The same goes for originary events. They will be more or less fundamental, which makes it true that many, perhaps most, cases of art opening a world will not be anywhere near as basic as the event Heidegger discusses in terms of Ereignis. However, that does not mean that all such events are necessarily less basic.

Monday, December 20, 2010

On Heidegger's Realist Historicism

As previously promised, I would like to say a word or two about my claim that Heidegger can be read as a Realist Historicist. My conception of Realist Historicism is drawn from Heidegger's early engagements with the problem of the origin of concepts and meaning. Rather than explain in detail what I take Realist Historicism to be and what its origins are, both explanations I present at length elsewhere, I will allow my discussion of realism and historicism generally to make clear the outlines of my own position.

Let me say first that there are absolutely legitimate reasons to be wary of calling Heidegger a historicist or realist. Heidegger follows his teacher Husserl in explicitly rejecting historicism. He is also very clear about his rejection of the idealism/realism debate, although he spends more time rejecting idealism than realism. The reason he rejects talk of idealism and realism, and one of the reasons he rejects historicism, is because all three theoretical positions are based upon the understanding of humanity as minds relating to objects. Insofar as Heidegger rejects mentalism and the subjectivism which he claims is inherent in the subject/object epistemic view of the human condition, he also rejects the theoretical positions that grow out of it. I do not dispute any of this, rather it is at the heart of my conception of realist historicism. Despite this fact, however, it is not at all unusual to find Heidegger discussed as a Linguistic Idealist, Transcendental Idealist or Transcendental Historicist. It is largely in contrast with these positions that I have developed my discussion of Realist Historicism. Insofar as I agree with the rejection of the subject/object distinction in understanding Heidegger it would be inadequate to call Heidegger just a realist or just a historicist. The conjunction of elements of the two positions creates, I believe, a third position that is not subjectivist or dependent upon a subject/object model. Let me make clear how this is so through an attempt to define the key terms in this discussion. In each case I will offer a traditional definition, the Realist Historicist definition and at the end I will explain the added element which unites the individually incomplete conceptions of realism and historicism to form the unified position.

Traditional Historicism:
The view that (1) all human knowledge is historical in nature and structured-by/relative-to the historical era in which it is found and (2) historical eras are disjunctive and unconnected. Comment: This view is a form of dogmatism and amounts to a seemingly self-contradictory claim that we can have no a-historical knowledge except for the dogmatic assertion that knowledge is relative to historical eras and historical eras are independent of each other.

Historicism in Realist Historicism
: The view that (1) all human knowledge as far as we can tell and based on what we have reason to believe is structured-by/relative-to the historical era in which it occurs, (2) as of now we have no reason to believe that we have access to a-historical knowledge that would apply to all historical eras and (3) it is as possible for eras to be disjunctive as conjunctive but we have no reason to think that it is necessary or universally the case that eras share elements. Comment: This position is a form of limited skepticism, specifically a Hermeneutic skepticism which finds no reason to believe that a-historical knowledge is possible and finds no model or conception of what such knowledge would be like.

Traditional Realism: The view that (1) there is an unchanging reality independent of the human mind (Ontological Realism) and/or (2) we are able to have access to this reality (Epistemic Realism). Comment: This position is only meaningful through reference to the divide between the human mind and what is outside of that mind, even when the goal is to show that the divide can be bridged.

Realism in Realist Historicism: The view that (1) what is presumed in traditional realism to be mental or subjective arises from Reality and so there is no "mind" or "consciousness" independent from Reality. (This is captured in Heidegger's insistence that the problems of modern epistemology are, generally, theoretical conceits and distortions. Since the being investigating reality is part of the being under investigation there is no gap to be overcome.) This ontological claim, reversing ontological realism, goes together with another ontological claim relating to epistemic realism. Specifically (2) all disclosure is disclosure of Reality, so we can know Reality, but (3) all disclosure is finite, so we never know all of Reality. In other words, Reality is always more than what we have actually said or thought of it at any given time ("Language is the language of Being, as clouds are the clouds of the sky." Heidegger "The Letter on Humanism"). This may, but need not, mean that Reality is independent at points from language or human practice (if the phrase "at points" is even meaningful in this context). We can't, however, say what this this would mean even as we can't say what history without time, or Dasein without history, would mean even though the skepticism we encountered in our discussion of historicism requires us to admit such things may be possible if not imaginable.

The Added Element: As I mentioned earlier, I believe that the new definitions of both historicism and realism are incomplete without the other. Specifically, our definition of historicism leaves undetermined what it means for something to be "historical" or why/how something can be "relative to a historical era". Similarly, our definition of realism fails to address what realism actually looks like when we have taken out those problematic terms "mind", "consciousness" or "subjectivity" which is necessary if realism is to have any meaning in a Heideggerian context. The completion of both definitions rests in an understanding of practices as the being of history and the being of the investigating entity which is mistakenly thought of as mind divided from reality. This shows up, for example, in Heidegger's conception of historicity i.e. the way in which humans are a carrying forward of inheritances and a projecting of these into the future so that things come to disclosure as meaningful within the "light" of the inherited project. History is made possible by these ongoing temporal events which, for short, we could call practices.

Realist Historicism: The view that (1) as far as we can tell and based on what we have reason to believe everything we know or experience shows up within human practices. Indeed, it is unclear what something would be without the mediation of practices. This is also the case for "subjectivity" or the "mind". This leads to two possible conclusions (2) either Reality just is ongoing practices or gives rise to practices as its mode of appearance. (As a side note, this allows for two types of Realist Historicism. There is what I sometimes call Practice Ontology which holds to the first option, and Heidegger's position which holds to the second as I shall discuss.) Heidegger's belief in origins and originary events (Ereignis) suggests that he held the second view since originary events arise independent of previously existing practices. In other words, the event ontology which is Heidegger's brand of Realist Historicism allows for two distinct types of events. Practices (i.e. ongoing events with origins) and Originary Events from which practices take their origin. The addition of practices as the ontological ground of our previous discussion of realism and historicism is clarified by a distinct characteristic of practices which ties into Heidegger's teleological world-holism. Specifically, practices are like words in that the existence of one word requires the existence of many words. This leads to the claim that (3) practices (as far as we have reason to believe) are interconnected and interdependent. Similarly, the temporal nature of practices means they (4) are historical and indeed, as Heidegger argues, the ontological ground of history.

When one combines 1, 3, and 4 from above one sees clearly that everything we know or experience depends upon the total complex of practices within which it arises and this complex is historical (i.e. temporally changing and tied to the coming-to-be and passing-away of practices and/or Originary Events in the past). This is Historicism. When one combines 1 and 2 we get our Realism.